Dick Move, Jargon Juggler.

I am an American. For the most part we are an English speaking country, but there is no amendment or law that explicitly states, “We speak English here, take your other worthless language and go suck on a dead dog’s nose.” Of course, this is a good thing, because other languages aren’t worthless at all, especially not to the people who speak them.

Similarly, there’s no official language of AAYSR. It’s not like we called together a reviewers gin rally and debated the semantics of our FAQ over bucks and Tom Collinses (Tom Collinseses?). Since the FAQ is written in English, we arrogantly assumed like the vainglorious dicks we are that all submissions would subsequently be in English.

Obviously, some asshole out there decided that he was entitled to a review, even with having less an a third of his posts written in a language I understand, as if he's testing me. You sonofabitch, I got a 34 on my ACT because I test so good. Pop quiz, jargon juggler: who's got two fists full of round bombs with fuses of scorn for bilingual bloggers testing my lexical patience? This girl. Dick move, jargon juggler. Dick move.

But I thought, you know, hey--this guy’s got to have some reason for doing this. Hopefully he'll reveal himself as some kind of pretentious fuck, and then we can set him on fire with leftover bottle rockets from this past weekend's patriotic debauchery. Maybe he'll be counterfeit and full of shit. Maybe he'll nearly plagiarize but not quite, and circumvent any accusations of plagiarism because of the nature of the concept he's addressing, thus brilliantly demonstrating the idea he's floating--but did he know that I've read that book? Does it matter?

Fine, so I didn't necessarily predict he would do that last bit, but motherfucker did itnonetheless.

And by golly, I fucking like him. He turned out to be feisty and hilarious and obnoxiously ostentatious because he is totally a Bombay hipster (which he would adamantly deny, true to hipster code), and I love that kind of unapologetic bastardization of self. Sure, some of this poetry crap is just nonsense, but I assure you: although it doesn't look like a standard poem, this blog is all poetry, even if a little wordy and rugged (the entry at the bottom), even if sometimes he comes across as a kind of drunken swan, where you can see how elegant he could be if he weren't such a flashy fuckdunce.

His template is horseshit, the navigation is a sterile, complicated hospital nightmare, sometimes the links lead to streams of shrapnel html and most of the writing is in fucking Hindi. Opening each quarter-monthly archive link is like passing around a live fucking hand grenade. There is no profile, no comments, no way to go back to a homepage, no way to click on an individual entry. He hasn't posted in a couple of months, which makes me believe he either joined Facebook or Twitter, where his brevity could be more immediately appreciated by his peers.

This guy is good. This guy is really, really good. And he fucking knows it. I'm guessing he's a professional (apparently he has already written some film scripts). He's above detailing his life or personality for any potential readers, because if they don't get it, if they cannot just deduce his dreams and self from his poetry, which "does not burnish on paper as much as it embers in the mind," why would he want them reading his blog?

So, Manish Fuckwad, you are a cocksucker.

I want you to take your superior word choice, your smooth, jerkface prose, and your aloof, cryptic layout back to Bombay's version of Brooklyn and dump it in a trash bin at the local ditchwater coffee shop.


Then I want you to straighten up your thick-rimmed emo glasses and start over with a simple template with a plain, classic header that's just your title and a drop-down archive. I want you to tag your posts with "English" or "Hindi" so people can just skip to whatever language they understand or feel like reading that day. And I want you to write more often, because I want it.